A typical workday may now encompass up to five locations, with two camera operators shooting throughout the New York metropolitan area, said Kelsey Hunt, TeleNext Media digital producer. The hills and dales of Staten Island, Long Island and New Jersey stand in for Oakdale’s suburban environs, while Brooklyn is a credible substitute for Chicago, the big city closest to the fictional Oakdale.
Hunt supervises all digital production for the show, which includes creation of its Web site and other online content in addition to the digitally shot location work. She became familiar with Panasonic digital cameras during the production of an online soap opera series and a reality show spin-off of AS THE WORLD TURNS.
One of the camera’s most useful features for the exterior shoots is its light handling capability, she said. “We work strictly with available light. We don’t see a lot of grain when the gain is on, and the color saturation is excellent,” Hunt said.
Seventeen people, including two shooters, a tech manager, a boom operator and an audio mixer, make up the AS THE WORLD TURNS exterior crews. The production uses numerous 32GB P2 cards and erases the cards after a one-hour episode is put together. The exteriors are assembled in Final Cut Pro, and those scenes are laid into the master show edit.
BroadcastEngineering.com
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