The Los Miserables finale beings at 8 p.m. ET tonight on Telemundo. |
Less bearable was the horrific Gabriel Porras who seems to get worse with each telenovela. The opening weeks of Los Miserables were not terrible by Telemundo’s recent standards at least in part because Porras’s role was minimized. Unfortunately, it didn’t last long and soon Porras’s drug lord character was given a twin, so we could see Porras cartoonishly overact two roles. I gave up regular viewing of this telenovela at that point. What happened to the competent actor from those Azteca telenovelas from the early 2000s? The same question fits his Los Miserables co-star Aylín Mujica who was also far better in her work at Azteca than she’s ever been at Telemundo.
Telemundo’s Mexican-produced telenovelas in conjunction with Argos are in a rut. The best of this recent batch is still the first, Rosa Diamante, from 2012. The others: La Patrona, La Impostora, Los Miserables and even the narco-novela Señora Acero all seem part of the same drab, monotonous universe. Budgetary restrictions are noticeable, particularly in how they all feature a seemingly endless parade of characters sent to the same hospital and prison sets. Even the actors are drab in these recent productions, especially the supporting actors and juveniles. Part of this problem may lie in Telemundo/Argos being third in the talent pecking order in Mexico behind Televisa and Azteca. Even with these flaws, the Telemundo/Argos productions are still better than what the network’s been churning out of Miami in the last year, Dueños del Paraíso included.