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Nelson Aspen and Janet Iacobuzio talk soaps past
and present, including fun nights watching Dynasty. |
Okay, Janet and I are sufficiently wine-fueled, so it's time for the Main Course. A fascinating Insider's look at how Soaps are written. Bon appetit!
In case you missed it, be sure to check out Part 1 and Part 2.
NA: Having worked on so many different shows, you're the perfect person to answer this. How does one show differ from another or is there simply a basic formula for writing Daytime?
JI: The basic formula is this: head writer(s) write the story arc, not so much in advance anymore (they used to write these huge documents which of course no one ever followed, but they wrote 'em. Usually!). They break it down into a "thrust" for a week of air shows. All head writers are different. Some write bullet points, some write the whole thing, basically. This goes to the breakdown writers who then break the beats down to scenes, written in prose form. This doc is usually 18-22 pages, double spaced.
Days is a teaser plus seven acts. Every show is a bit different, depending on the commercial structure of the program (figure around 39 minutes of air time, maybe a little less. Used to be 42 or 43). The breakdowns then get noted by production and the network.
Back when there was a Procter & Gamble, we had notes from the execs there as well. Once they are revised, the breakdowns then go to the script writers who write the dialogue from the outlines/breakdowns, 85 pages or so. Then an editor reads all of the scripts, tries to make them all sound like they come from the same brain and adds or removes anything the head writers or producers have told him/her about. These days, 7 scripts a week get written/produced. In the old days, maybe 4 or 5. It's all about saving money now. There were something like 20 shows on the air when I was interning at
Edge. There are 4 left.
(Sad Faces!)
NA: Chris Goutman described each show as having its own personality and fan base. Speak to that from your experience on so many different shows.